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Songs of a new order

4 Oct

My mother gave me many gifts, one of the most treasured being the sensibility to appreciate the artistic marriage of music and words. Those who were able to attend her funeral heard an array of classical, traditional and contemporary compositions that were chosen and put in order by her – not recently, but years before she passed. She included on her program (which she helped to design and approved just before her death) some special lyrics from a hymn she loved, Lead, Kindly Light.

I was not ever thus, nor prayed that Thou shouldst lead me on;
I loved to choose and see my path; but now, lead Thou me on;
I loved the garish day, and spite of fears,
Pride ruled my will; Remember not past years.

Music became a part of my grieving and my mourning even during the long night spent clearing and cleaning immediately after Mother’s body had been taken from our house. For several days I could only find solace in the offerings of Bruce Cockburn, a Canadian singer songwriter I’ve always loved for his ability to write about spiritual matters from a Christian foundation moderated by a cultural perspective that does not diminish others of the world’s religions. I chose to place some of his lyrics from the song The Rose Above the Sky on the back of Mother’s program:

Something jeweled slips away
Round the next bend with a splash
Laughing at the hands I hold out
Only air within their grasp
All you can do is praise the razor
For the fineness of the slash

Some weeks ago, I was able to get out the tiny tape recorder that I kept near the piano for the times when Mom could sit there and allow some of her favorite pieces to fly from her weakened fingers. I listened one whole afternoon to the scattered recordings I’d made, remembering the joy that overwhelmed me each time I heard her play once again when I had begun to doubt she would make it back to the bench. On some of those occasions, she would play My God and I, which was sung by a friend at her service according to her plan.

My God and I go in the field together;
We walk and talk as good friends should and do;
We clasp our hands, our voices ring with laughter;
My God and I walk through the meadow’s hue.

A few weeks (maybe even a few days) before Mother passed away, she had just finished playing the piano when she asked me a painful question: “Do you think there is any way that I can possibly get better?” As I was trying to formulate my response, I thought immediately of Cindy Bullens and her CD Somewhere Between Heaven and Earth.

I don’t remember how I learned of Bullens and the 1999 album of 10 songs she recorded as a tribute to her 11-year-old daughter who died of cancer – but the work has long been an inspiration. The genre is light progressive rock, influenced by the likes of Carol King, Joni Mitchell, Heart and the Indigo Girls. Lucinda Williams and Bonnie Raitt make small contributions to a couple of the songs. But it’s the introspective lyrics in combination with the poignant melodies that give this work its ability to help anyone who is mourning. Bullens unabashedly carries the listener through the various stages of grief, with tangible examples like a trip to Paris seeming dull in comparison to memories of her daughter and the impossible hope that a scientific discovery like finding water on the moon can somehow mean young Jessie will find her way back to earth.

With Bullens and her acute loss in mind, my answer to my mother took the form of another question: “What if there was an 11-year-old child here, whom we loved, and who had cancer – and we knew she was going to die? What if she asked us this question? How could we answer her?” I then told my mom that it was time for her to practice what she preached, and to talk to God, in her own way, so that she could prepare for where she was going. I told her, in effect, to let go of the things of this world, and to begin to look forward to the next.

And now it is me who is left here trying to let go – of her. It’s hard when your mom was cool, was someone you hung out with, loved the things you loved, understood human nature in all its flawed nuances and exercised her sharp language skills and dry sense of humor up until a few hours before she took her last breath. It’s hard when you’re a relentless perfectionist constantly plagued with feelings that you could have done more, should have done better as a caregiver. It’s hard living right where it all went down, the set and setting for our last two years together. And it’s hard when a relatively non-material girl has an accumulation of 81 years of sentimentally charged high-caliber material possessions to sort through, deciding what to keep, and doling out the rest as best she can to those who will appreciate them as much as Ruthe did.

But one of the lessons I have learned from my grief is that if I can do some good now for others around me, then Mother lives on… because in some way I become her as I move forward.

And move forward I have decided to do. I have the beautiful house we shared in Winchester, Kentucky up for sale, and whether it sells in two weeks or two years, I am soon headed to the mountains of Western North Carolina to seek work and a new beginning. When my father was working at Ridgecrest Baptist Conference Center outside of Asheville the summer he was courting my mom, he took her on several memorable hikes; she even made it up the strenuous trail to Catawba Falls, which is no small feat. They loved the mountain forests there – and so do I.

Another lesson I have learned from my grief is this: When someone dies, there is a shifting and a shuffling that happens in preparation for the “new order” left behind. To use a baseball analogy (and I did go to a Reds game last month in honor of Mom), when one player is out of the game, the lineup changes. Since losing Mom, I have gotten closer to some folks I’d never really known before, including some of her close friends and members of our extended family who’ve come forward to lend support. Even among my own close friends, the shifting and shuffling is apparent; new bonds are formed as everyone rallies to take a position that will not only offer me strength, but also allow for growth that somehow just wouldn’t have been possible before.

True, like the protagonist in Gillian Welch’s traditional-sounding song Orphan Girl, “I have no mother, no father, no sister, no brother” – but I feel more whole and connected each day, nonetheless. Some lyrics from Cindy Bullens express it best:

There’s a curious freedom rising up from the dark
Some kind of strength I’ve never had
Though I’d trade it in a second just to have you back
I gotta try to make some good out of the bad

So I laugh louder
Cry harder
I take less time to make up my mind and I
Think smarter
Go slower
I know what I want and what I don’t
And I’ll be better than I’ve ever been
Better than I’ve ever been

Find Cindy Bullens “Between Heaven and Earth” on Amazon

Listen to Orphan Girl by Gillian Welch

Listen to Bruce Cockburn’s The Rose Above the Sky

Coming UpArt

26 Oct

This new communique about artists and their art is dedicated to my mother, Ruthe Ballard Figart Sphar, who taught me at a very early age to surrender to the call of creativity. Without Mom, I would not be the creative communicator that I am — and this first installment would have been finished a month ago.

For the past 30 days I have been beside my mother day and night, 24/7, intuitively taking care of her as her body tries to find a way to coexist with a deteriorated heart, and her mind struggles to let go of the physical limitations she cannot change. I have perhaps learned more from her this past month than in all my 47 years with her, because I have listened more attentively, cared more affectionately and loved more fully than ever before.

During this trying time, the few hours I’ve been able to devote here and there to this project have brought me release and inspiration. The goal is to promote artists that I admire, spreading the word about their work. Artists are the least compensated members of the work force proportionate to the amount of joy they bring to human beings. Even in the face of difficulty, the inspiration of art, music, film, theatre or literary composition can make us feel that everything’s coming up roses. Coming UpArt is a new e-mail blast and blog update of fresh art you can enjoy, buy for holiday gifts, and learn more about through online links. Get in touch with me via e-mail if you would like to provide feedback or have your projects featured in Coming UpArt.

~~~

Nate Miller, Photographer ~ Asheville, North Carolina

Nate Miller hails from Parma, Ohio, where he started focusing on macro nature photography about a decade ago while being a caregiver to his father. Now working in the artsy Asheville, North Carolina, he still uses a fairly rudimentary camera and takes a bold approach to his subjects, mostly flowers. His collections include thousands of nature portraits, about which fellow artist Cynthia Cusick has written, “He pours you into the middle of the flower’s petals or the connection between blooms. His framing immerses us in the richness and luminescence of color, cropping out any distractions.” Landscape photographer John Snell says, “Nate has a great eye for nature’s graphics and simplicity.” But Nate stakes no claim to the title of artist. “I’m rather an interpreter,” he says, “seeking to reveal that which transpires behind that which appears.” He is currently booking guest appearances at open houses in both homes and businesses from North Carolina to Ohio to show and sell his prints during November. See more of Nate’s work and purchase prints on his web site; follow his work on Facebook; purchase his art on various household items, including laptop skins, phone cases, organic t-shirts and more on his CafePress site; read Cynthia Cusick’s blog about him and check out mine as well.

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Joe Lamirand, Filmmaker/Musician/Songwriter ~ Indianapolis, Indiana

Film director, writer and producer Joe Lamirand won accolades during the past year when the short film “Turning Japanese” swept through numerous world-class film festivals winning countless awards, including best short at the prestigious American Pavilion Emerging Filmmaker Showcase at Cannes. “It was truly a life changing experience and an opportunity to work with some very talented people,” he says, “including our star Brian Austin Green.” The feature length version of “Turning Japanese” is currently in development with Robin Gurland, notable casting director for Star Wars Episodes I and II. Joe’s earlier films include the off-beat feature-length comedy “Talent,” and the short “Hollow.” In addition to being a producer, Joe co-wrote three original songs for “Turning Japanese,” two of which he produced with vocalist and collaborator Mia Joseph. After the film’s success, the two teamed up to form an alternative rock band, Blue Spark, which has been making waves in Indianapolis during 2011. The band is going into the studio in early November to record their first CD. Helping to grow the band’s cult following, Joe directed a whimsical music video featuring Blue Spark performing one of their most popular originals from their demo, “Punk Cowboy.” Watch “Punk Cowboy” on YouTube; listen to other Blue Spark songs on ReverbNation; follow Blue Spark and Turning Japanese on Facebook.

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Cynthia Cusick, Ceramicist ~ Irvine, Kentucky

Growing up just north of New York City and spending much of her young adult life immersing herself in what she calls “the energy and grittiness of the City,” Cindi moved to an old farm house in rural Eastern Kentucky in the late ‘90s. This shift to a more natural environment, she says, “added a dimension to my self-expression. I rediscovered my sense of awe and fulfilled childhood dreams long thought abandoned.” One of these dreams was to be an artist, so in her 40s she finally took time off from her graphic design business and got a BFA from Eastern Kentucky University with concentrations in ceramics and metalsmithing. Much of her work references organic objects as metaphors for life experiences, focusing on women’s issues, sexuality, nature and intimacy. Shown above: Porcelain Juice Cup with Slit and Red Eruptions. A continuation of other “eruption” works, this whimsical piece sits on small, unobtrusive feet placed inside the bottom edge and is brushed with pink and mauve underglazes. Read more about this item on Esty; follow Cynthia Cusick, Teahorse Studio on Facebook; see more of Cindi’s work on her web site; read Cindi’s marvelous blog about her process and check out my blog interview with her.

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Paul Ramey, Author/Musician ~ Jacksonville, Florida

Artist, writer and musician Paul Ramey lost his best friend Salvador earlier this year. Salvador was Paul’s dog. Within two months, Paul had published “Zen Salvador,” a tribute to “Sal” in the form of a bound series of minimalist ink-brush illustrations depicting man and dog, along with original observations about life’s path. All proceeds from the sale of this book are earmarked for the Jacksonville Humane Society. “Salvador and I had an amazing 16-year journey, and he taught me many things along the way,” Paul says. “After his death, I wanted to do something that honored that journey, and would send some positive energy forward. Helping other animals in Sal’s memory was a natural direction.” Paul hopes that people will consider this 24-page publication as a collectible piece of art more than simply a book. Each page is intended as a meditation, allowing the reader to stop, absorb the thought, and have a quiet moment to contemplate. The book ends with the touching story of how Paul and Salvador first met each other back in 1995. Visit the “Zen Salvador” web site; follow “Zen Salvador” on Facebook; learn more about Paul; and check out the 2-CD goth/rock opera Veil & Subdue that Paul composed and recorded.

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Patrick McNeese, Musician/Painter/Director ~ Lexington, Kentucky

Patrick McNeese is a Kentucky-based visual artist, singer-songwriter and documentary filmmaker. Perhaps best known for his highly expressionist artwork, Patrick has been creating distinctive oil and mixed media paintings for nearly three decades in his downtown Lexington studio. His paintings are included in numerous public and private collections throughout the U.S. Patrick writes and performs his original songs on piano and guitar. “My recent work has been described as ‘Appalachian Jazz’ because it embodies the energy and freedom of certain jazz ideas (i.e. syncopation and improvisation), as it also borrows from the rich traditions of music-making and song craft from the Appalachian region,” he says. Patrick has written, performed and produced three independent albums: “The Singing Bridge” 1989; “Me, Mywolf and I” 1993; and “Any Day Now” 2005, and has also composed original music for several film and video projects. Patrick wrote, produced and directed five independent documentaries, most dealing with the lives and work of both historical and contemporary artists and musicians. In 2006, he received a Director’s Citation at the Black Maria Film Festival for his film about a Vietnam veteran who is also a gifted artist. See more of Patrick’s art, check out his music on iTunes, CDBaby and ReverbNation, follow Patrick on Facebook and read my blog interview with him.

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Hans Peter Jorgensen, Sculptor ~ Decorah, Iowa

Like many artists, Hans Peter (HP) Jorgensen has worn many professional hats to support himself throughout his career, and has returned to a more concentrated focus on art in his retirement. Earning a BFA from Michigan State in 1965, HP soon discovered that making a living as a sculptor in the Midwest was problematic. So instead he earned his living through design and construction of architectural elements, historic restoration and, more recently, non-profit program design. “I’ve always thought of myself as an artist, whatever I was designing,” he says. Over the years, HP has produced thousands of objects—sculptures, furniture, clothing accessories, photographs, books, architectural restorations and programs for various non-profits. Since retirement he has focused on producing sculptures featuring the human figure with an emphasis on faces. He works in clay and casts in either plaster or bronze. Shown here: Homo Technologicus II (detail) is painted plaster, 18″ x 32″, 2011, the second in a series exploring the interface between humans and the technology that is an increasing part of our society. This piece is one in a series currently on display through the end of October at Perfect Edge Gallery in Decorah, Iowa. Click here to follow Hans Peter Jorgensen, Sculptor, on Facebook.

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Kathleen Farago May, Fine Artist ~ Ottawa, Ontario

The evolution of her art from drawing to painting, to printing (etchings and silk screens) and finally to digital painting has been part of Kathleen Farago May’s life adventure. “Each medium has allowed me to more clearly express the spiritual impulses that have driven my creative work,” she says. She perceives her creative process to be a collaboration, to which she contributes her experience, technical skill and aesthetics in order to express the ideas and feelings she is inspired to bring to life. While her early paintings often expressed a rejection of traditional religious forms, today’s images are about “embracing the sense of the numinous that we feel when we acknowledge Oneness.” Kathleen’s themes reflect the fact that she adheres to no single spiritual tradition, but rather remains open to guidance from her higher self. The imagery is symbolic – a sphere, a face, wings, water, the sun – alluding to elements of philosophical and spiritual significance. When the images are not figurative, there is simply a feeling in the abstracted color-scapes and mandalas – a sense of awe, wonder and transported gratitude. Shown here: Time Lapse Self Portrait 1978-2011. You can view Kathleen’s collections on Facebook by clicking these four links: EmergenceAffinitySpringWall.

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Mike Coykendall, Producer/Musician/Songwriter ~ Portland, Oregon

Best known for touring with and producing M. Ward, Mike Coykendall (“Kirkendall”) fits his own songwriting and recording in between recording projects with artists like Blitzen Trapper, Richmond Fontaine, She & Him and Pancake Breakfast. Mike’s folk-rock sound features his trademark wise, raspy vocals set to country-infused psychedelia. In the early ‘90s, he and musical partner Jill Coykendall formed San Francisco’s Old Joe Clarks, an alternative country ensemble whose highly acclaimed CD “Town of Ten” shot to number 16 on the Americana charts. Rubbing elbows with musicians such as GIllian Welch, Bright Eyes, Jim James, and Victoria Williams, Mike has appeared on Austin City Limits, Late Night with David Letterman, Conan O’ Brien and Craig Ferguson. He performs around Portland regularly with The Golden Shag, has recorded two solo CDs – “Hello Hello Hello” (2005) and “The Unbearable Being of Likeness” (2009) – and is seeking the right label for his new double-CD release. Taking bookings across the U.S., Mike says, “I just want to perform as much as I can and tour as much as is possible.” Learn more on Mike’s web site; listen to his music on  iTunes; watch him perform “Lost as You Are” and the cover “I Can See Clearly Now,” and read my blog interview with him.

~~~

Please, before you buy your holiday gifts, consider purchasing art from one of these eight or countless other artists who have their work available online or in your local community, wherever you may be. Thank you for taking time to read these profiles! Get in touch with me via e-mail if you would like to provide feedback or have your projects featured in Coming UpArt.

Eckhart Tolle, Nate Miller and the Now of Flowers

28 Sep

We receive the gifts we are ready to accept. In the past six months, two powerful entities have made their presence known in my life at the precise time when I could open to the lessons that each of them have to teach. If I could recommend only one writer and know you would read his books, that author would be Eckhart Tolle. And if I could share the work of one artist and know it would be seen, it would be the nature photography of Nate Miller.

Tolle’s seminal book The Power of Now expresses verbally the intuitions I have had from a very young age about life, death, body, spirit, joy, suffering, language, time, “God” and the nature of humanity in the greater universe. A new peace has descended upon me since reading it, not because the book taught me something altogether new, but because it articulates what I’ve somehow known all along but didn’t have the language – or the presence – to say.

I met Nate Miller six months ago today. He has become my closest friend and confidant, and possesses all the characteristics I have long sought in a partner, exemplified best in his simple statement, “If it’s important to you, then it’s important to me.” When I began to see his nature photography, and in particular his work featuring close-ups of flowers, it was as if The Power of Now had been made manifest for me in visual form.

Another of Tolle’s books, A New Earth, begins with an essay on the relationship between the flower and our awareness. “As the consciousness of human beings developed, flowers were most likely the first thing they came to value that had no utilitarian purpose for them, that is to say, was not linked in some way to survival. Jesus tells us to contemplate the flowers and learn from them how to live. The Buddha is said to have given a ‘silent sermon’ once during which he held up a flower and gazed at it. After a while, one of those present, a monk called Mahakasyapa, began to smile. He is said to have been the only one who had understood the sermon. According to legend, that smile (that is to say, realization) was handed down by 28 successive masters and much later became the origin of Zen.”

Nate Miller is a modern day Mahakasyapa. And like the legendary “sermon” to which Tolle refers, Nate is a man of few words. Nevertheless, he did answer me when I asked him what he is thinking when he guides his lens to boldly peer right into the heart of a poppy, hibiscus, lily, zinnia or morning glory: Nothing.

“When I’m photographing, I’m in the moment. I’m not thinking about anything,” he says. “I want to capture just that moment, something that’s even beyond what I’m looking at. Because the moment is beyond everything and also contains everything, it can allow each of us to see things in an extraordinary way.”

That extraordinary way of seeing is described by Tolle in A New Earth thus: “Once there is a certain degree of Presence, of still and alert attention in human beings’ perceptions, they can sense the divine life essence, the one indwelling consciousness or spirit in every creature, every life-form, recognize it as one with their own essence, and so love it as themselves.”

Just as Tolle extols the flower as “an expression in form of that which is most high, most sacred, and ultimately formless within ourselves,” Nate insists his images are merely “vehicles for the presence of the Now.” He views his photos not as art, but as a form of “visual meditation to transport you into the present moment” and hopes that “maybe that shift into a deeper appreciation of the Now through nature will inspire people to see other things in life from a deeper place.”

In The Power of Now, Tolle reminds us that, “In the Now, in the absence of time, all our problems dissolve. Suffering needs time. It cannot survive in the Now.” When I am focusing on the past or the future too strongly, Nate brings me back into the present, through his way of communicating and through his photography.

Nate developed his style of macro photography as “self therapy” more than a decade ago during a time when he was being a caretaker for his father, who was dying of brain cancer. As I write this, I am sitting beside my mother in her hospital bed. She has irreparable heart failure. And my place is with her, doing what I can to help, but mostly just being here… Now. Her grace, Nate’s flowers and the books by Tolle give me new strength each day. I am practicing Attention, Compassion and Gratitude, out of which this essay was born.

Learn more about Nate Miller on his web site.
Read a blog by Cynthia Cusick about Nate Miller.
Follow Nate Miller Nature Photography on Facebook.